I would like to take you, if I could, to a graphic portrayal of the Word of God in a great cathedral in Milan. Come in out of the glare of the Italian sunshine, pass through the cathedral doors, and suddenly see stretching out before you, Europe's third largest cathedral where fifty-two marbled columns hold up the lofty, octagonal dome, with over 4,400 turrets and pinnacles. Statues of angels rise all about us, and the effect is one of an incomparable combination of grace and grandeur, beauty and vastness.

Up front behind the altar, like a window opening out of heaven, is one of the largest stained glass windows in the world. Depicted here is not an Old Testament scene. That stained glass window does not depict the resurrection of Jesus Christ the Lord, not his crucifixion or ascension. With tremendous imagery the window depicts the triumph of Jesus Christ the Lord, his second coming.

The afternoon sun strains in, turning the window into a sea of glass mingled with fire. You see the vials being outpoured, the trumpets, Michael and his angels in battle against the dragon, the great angel with the rainbow upon his head and one foot upon the earth and the other upon the heaven, declaring in the name of him who lives forever and ever that time shall be no longer. Bound with a chain, Satan is thrown into the bottomless pit at last. The great white throne glows in the sunlight.

Most impressive of all is the great, white horse. Upon the horse sits a still greater rider with the armies of heaven behind him. He comes to set everything straight at last for everyone of us who has hoped in him, and for everyone who has been subjected to the pain and prejudice of living for Jesus Christ in a world seemingly gone mad.